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and discernment。 

     When the violinist appeared for his solo�察�he quietly acknowledged the 

cordial   reception   of   the   audience�察  �and   immediately   proceeded   with   the 

business   of the   evening。 At   a   slight   nod   from  him  the   conductor   rapped 

attention�察�then launched the orchestra into the introduction of the concerto�察�

Diotti's favorite�察�selected for the first number。 As the violinist turned to the 

conductor he faced slightly to the left and in a direct line with the second 

proscenium   box。   His   poise   was   admirable。   He   was   handsome�察  �with   the 

olive´tinted warmth of his southern homefairly tall�察�straight´ limbed and 

lithea   picture   of   poetic   grace。   His   was   the   face   of   a   man   who   trusted 

without   reserve�察 �the   manner   of   one   who   believed implicitly�察  �feeling   that 

good was universal and evil accidental。 

     As the music grew louder and the orchestra approached the peroration 

of   the   preface   of   the   coming   solo�察  �the   violinist   raised   his   head   slowly。 

Suddenly   his   eyes   met   the   gaze   of   the   solitary   occupant   of   the   second 

proscenium         box。    His    face   flushed。     He    looked      inquiringly�察    �almost 

appealingly�察�at her。 She sat immovable and serene�察�a lace´framed vision in 

white。 



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     It was she who�察�since he had met her�察�only the night before�察�held his 

very soul in thraldom。 

     He lifted his bow�察�tenderly placing it on the strings。 Faintly came the 

first   measures   of   the   theme。   The   melody�察  �noble�察  �limpid   and   beautiful�察�

floated   in   dreamy   sway   over   the   vast   auditorium�察  �and   seemed   to   cast   a 

mystic   glamour   over   the   player。 As   the   final   note of   the   first   movement 

was dying away�察�the audience�察�awakening from its delicious trance�察�broke 

forth into spontaneous bravos。 

     Mildred      Wallace�察   �scrutinizing    the   program�察    �merely    drew    her   wrap 

closer about her shoulders and sat more erect。 At the end of the concerto 

the applause was generous enough to satisfy the most exacting virtuoso。 

Diotti   unquestionably   had   scored   the   greatest   triumph   of   his   career。   But 

the lady in the box had remained silent and unaffected throughout。 

     The poor fellow had seen only her dur´ ing the time he played�察�and the 

mighty cheers that came from floor and galleries struck upon his ear like 

the    echoes    of  mocking      demons。     Leaving     the  stage    he  hurried    to  his 

dressing´room and sank into a chair。 He had persuaded himself she should 

not   be   insensible   to   his   genius�察  �but   the   dying   ashes   of   his   hopes�察  �his 

dreams�察�were smouldering�察�and in his despair came the thought�此 �`I am not 

great enough for   her。 I   am but   a man�察  �her consort   should be   a god。  Her 

soul�察�untouched by human passion or human skill�察�demands the power of 

god´like genius to arouse it。'' 

     Music   lovers   crowded   into   his   dressing´   room�察  �enthusiastic   in   their 

praises。     Cards     conveying      delicate    compliments        written    in   delicate 

chirography   poured   in   upon   him�察  �but   in   vain   he   looked   for   some   sign�察�

some word from her。 

     Quickly he left the theater and sought his hotel。 

     A   menacing   cloud   obscured   the   wintry   moon。   A   clock   sounded   the 

midnight hour。 

     He threw himself  upon the  bed and almost sobbed   his thoughts�察 �and 

their burden was�此�

     ``I am not great enough for her。 I am but a man。 I am but a man��'' 



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                                              III 



     Perkins     called    in  the   morning。     Perkins     was    happyPerkins       was 

positively joyous�察�and Perkins was self´ satisfied。 The violinist had made a 

great    hit。  But    Perkins�察   �confiding     in  the   white´coated      dispenser    who 

concocted his matin Martini�察�very dry�察�an hour before�察�said he regarded the 

success   due   as   much   to   the   management   as   to   the   artist。   And   Perkins 

believed   it。   Perkins   usually   took   all   the   credit   for   a   success�察  �and   with 

charming consistency placed all responsibility for failure on the shoulders 

of the hapless artist。 

     When Perkins entered Diotti's room he found the violinist heavy´eyed 

and   dejected。   ``My   dear   Signor��''   he   began�察  �showing   a   large   envelope 

bulging with newspaper clippings�察 �`I have brought the notices。 They are 

quite   the   limit�察  �I   assure   you。   Nothing   like   them   ever   heard   beforeall 

tuned   in   the   same   key�察  �as   you   musical   fellows   would   say��''   and   Perkins 

cocked his eye。 

     Perkins enjoyed a glorious reputation with himself for bright sayings�察�

which he always accompanied with a cock of the eye。 The musician not 

showing      any    visible   appreciation     of  the   manager's     metaphor�察    �Perkins 

immediately proceeded to uncock his eye。 

     ``Passed the box´office coming up��'' continued this voluble enlightener�察�

``nothing left but a few seats in the top gallery。 We'll stand them on their 

heads   to´morrow   nightsee   if   we   don't。''   Then   he   handed   the   bursting 

envelope of notices to Diotti�察�who listlessly put them on the table at his 

side。 

     ``Too tired to read�察�eh��'' said Perkins�察�and then with the advance´agent 

instinct strong within him he selected a clipping�察�and touching the violinist 

on the shoulder�此 �`Let me read this one to you。 It is by Herr Totenkellar。 

He is a hard nut to crack�察�but he did himself proud this time。 Great critic 

when he wants to be。'' 

     Perkins   cleared   his   throat   and   began�此   �`Diotti   combines   tremendous 

feeling with equally tremendous technique。 The entire audience was under 

the witchery of his art。'' Diotti slowly negatived that statement with bowed 

head。 ``His tone is full�察�round and clear�察�his interpretation lends a story´ 



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telling   charm   to   the   music�察  �for�察  �while   we   drank   deep   at   the   fountain   of 

exquisite      melody�察    �we    saw    sparkling      within    the   waters     the   lights   of 

Paradise。   New   York   never   has   heard          his   equal。   He   stands   alone�察     �pre´ 

eminent�察�an artistic giant。'' 

     ``Now�察     �that's   what    I  call  great��''  said   the   impresario�察     �dramatically�察�

``when you hit Totenkellar that way you are good for all kinds of money。'' 

     Perkins took his hat and cane and moved toward the door。 The violinist 

arose   and   extended   his   hand   wearily。  ``Good´day''   came   simultaneously�察�

then     ``I'm    off。  We'll    turn    'em    away     to´morrow�察      �see    if  we    don't��'' 

Whereupon Perkins left Diotti alone in his misery。 



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                                               IV 



     It was the evening of the fourteenth�察�In front of the Academy a strong´ 

lunged   and   insistent   tribe   of   gentry�察  �known   as   ticket   speculators�察  �were 

reaping a rich harvest。 They represented a beacon light of hope to many 

tardy   patrons   of   the   evening's   entertainment�察  �especially   to   the   man   who 

had   forgotten   his   wife's   injunction   ``to   be sure  to   buy  the  tickets on   the 

way down town�察�dear�察�and get them in the family circle�察�not too far back。'' 

This    man's    intentions     were    sincere�察  �but   his   newspaper      was    unusually 

interesting   that   morning。   He   was   deeply   engrossed   in   an   article   on   the 

causes      leading    to   matrimonial      infelicities    when     his  'bus   passed     the 

Academy box´office。 

     He was six blocks farther down town when he finished the article�察�only 

to   find   that   it   was   a   carefully   worded   advertisement   for   a   new   patent 

medicine�察  �and   of   course   he   had   not   time   to   return。   ``Oh�察  �well��''   said   he�察�

``I'll get them when I go up town to´night。'' 

     But he did not。 So with fear in his heart and a red´faced woman on his 

arm he approached the box´office。 ``Not a seat left��'' sounded to his hen´ 

pecked ears like the concluding words of the black´robed judge�此 �`and may 

the Lord have mercy upon your soul。'' But a reprieve came�察�for one of the 

aforesaid beacon lights of hope rushed forward�察�saying�此 �`I have two good 

seats�察�not far back�察�and only ten apiece。'' And the gentleman with fear in 

his heart and the red´faced woman on his arm passed in。 

     They saw the largest crowd in the history of the Academy。 Every seat 

was occupied�察�every foot of standing room taken。 Chairs were placed in 

the side aisles。 The programs announced that it was the second appearance 

in America of Angelo Diotti�察�the renowed Tuscan violinist。 

     The     orchestra    had    perfunctorily     ground     out   the  overture     to  ``Der 

Freischuetz��''   the   baritone   had   stentorianly   emitted   ``Dio   Possente��''   the 

soprano   was   working   her   way  through   the   closing   measures   of   the   mad 

scene   from   ``Lucia��''   and   Diotti   was   number   four   on   the   program。   The 

conductor stood beside his platform�察�ready to ascend as Diotti appeared。 

     The   audience�察  �ever   ready   to   act   when   those   on   the   stage   cease   that 

occupation�察  �gave   a   splendid       imitation   of   the   historic   last   scene   at   the 



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Tower of Babel。 Having accomplished this to its evident satisfaction�察�the 

audience proceeded�察�like the closing phrase of the ``Goetterdaemmerung'' 

Dead March�察�to become exceedingly quietthen expectant。 

     This   expectancy   lasted   fully   three   minutes。   Then         there   were   some 

impatient   handclappings。   A   few   persons   whispered�此   �`Why   is   he   late��'' 

``Why   doesn't   he   come��''   ``I   wonder   where   Diotti   is��''   and   then   came 

unmistakable        signs    of   impatience。      At    its  height    Perkins     appeared�察�

hesitatingly。 Nervous and jerky he walked to the center of the stage�察�and 

raised his hand begging silence。 The audience was stilled。 

     ``Ladies   and   gentlemen��''   he   falteringly   said

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