charmides-第6章
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4。 The myths of Plato。
5。 The relation of the Republic; Statesman and Laws。
6。 The legend of Atlantis。
7。 Psychology。
8。 Comparison of the Laws of Plato with Spartan and Athenian Laws and
Institutions。
CHARMIDES。
INTRODUCTION。
The subject of the Charmides is Temperance or (Greek); a peculiarly Greek
notion; which may also be rendered Moderation (Compare Cic。 Tusc。 '(Greek);
quam soleo equidem tum temperantiam; tum moderationem appellare; nonnunquam
etiam modestiam。'); Modesty; Discretion; Wisdom; without completely
exhausting by all these terms the various associations of the word。 It may
be described as 'mens sana in corpore sano;' the harmony or due proportion
of the higher and lower elements of human nature which 'makes a man his own
master;' according to the definition of the Republic。 In the accompanying
translation the word has been rendered in different places either
Temperance or Wisdom; as the connection seemed to require: for in the
philosophy of Plato (Greek) still retains an intellectual element (as
Socrates is also said to have identified (Greek) with (Greek): Xen。 Mem。)
and is not yet relegated to the sphere of moral virtue; as in the
Nicomachean Ethics of Aristotle。
The beautiful youth; Charmides; who is also the most temperate of human
beings; is asked by Socrates; 'What is Temperance?' He answers
characteristically; (1) 'Quietness。' 'But Temperance is a fine and noble
thing; and quietness in many or most cases is not so fine a thing as
quickness。' He tries again and says (2) that temperance is modesty。 But
this again is set aside by a sophistical application of Homer: for
temperance is good as well as noble; and Homer has declared that 'modesty
is not good for a needy man。' (3) Once more Charmides makes the attempt。
This time he gives a definition which he has heard; and of which Socrates
conjectures that Critias must be the author: 'Temperance is doing one's
own business。' But the artisan who makes another man's shoes may be
temperate; and yet he is not doing his own business; and temperance defined
thus would be opposed to the division of labour which exists in every
temperate or well…ordered state。 How is this riddle to be explained?
Critias; who takes the place of Charmides; distinguishes in his answer
between 'making' and 'doing;' and with the help of a misapplied quotation
from Hesiod assigns to the words 'doing' and 'work' an exclusively good
sense: Temperance is doing one's own business;(4) is doing good。
Still an element of knowledge is wanting which Critias is readily induced
to admit at the suggestion of Socrates; and; in the spirit of Socrates and
of Greek life generally; proposes as a fifth definition; (5) Temperance is
self…knowledge。 But all sciences have a subject: number is the subject of
arithmetic; health of medicinewhat is the subject of temperance or
wisdom? The answer is that (6) Temperance is the knowledge of what a man
knows and of what he does not know。 But this is contrary to analogy; there
is no vision of vision; but only of visible things; no love of loves; but
only of beautiful things; how then can there be a knowledge of knowledge?
That which is older; heavier; lighter; is older; heavier; and lighter than
something else; not than itself; and this seems to be true of all relative
notionsthe object of relation is outside of them; at any rate they can
only have relation to themselves in the form of that object。 Whether there
are any such cases of reflex relation or not; and whether that sort of
knowledge which we term Temperance is of this reflex nature; has yet to be
determined by the great metaphysician。 But even if knowledge can know
itself; how does the knowledge of what we know imply the knowledge of what
we do not know? Besides; knowledge is an abstraction only; and will not
inform us of any particular subject; such as medicine; building; and the
like。 It may tell us that we or other men know something; but can never
tell us what we know。
Admitting that there is a knowledge of what we know and of what we do not
know; which would supply a rule and measure of all things; still there
would be no good in this; and the knowledge which temperance gives must be
of a kind which will do us good; for temperance is a good。 But this
universal knowledge does not tend to our happiness and good: the only kind
of knowledge which brings happiness is the knowledge of good and evil。 To
this Critias replies that the science or knowledge of good and evil; and
all the other sciences; are regulated by the higher science or knowledge of
knowledge。 Socrates replies by again dividing the abstract from the
concrete; and asks how this knowledge conduces to happiness in the same
definite way in which medicine conduces to health。
And now; after making all these concessions; which are really inadmissible;
we are still as far as ever from ascertaining the nature of temperance;
which Charmides has already discovered; and had therefore better rest in
the knowledge that the more temperate he is the happier he will be; and not
trouble himself with the speculations of Socrates。
In this Dialogue may be noted (1) The Greek ideal of beauty and goodness;
the vision of the fair soul in the fair body; realised in the beautiful
Charmides; (2) The true conception of medicine as a science of the whole as
well as the parts; and of the mind as well as the body; which is playfully
intimated in the story of the Thracian; (3) The tendency of the age to
verbal distinctions; which here; as in the Protagoras and Cratylus; are
ascribed to the ingenuity of Prodicus; and to interpretations or rather
parodies of Homer or Hesiod; which are eminently characteristic of Plato
and his contemporaries; (4) The germ of an ethical principle contained in
the notion that temperance is 'doing one's own business;' which in the
Republic (such is the shifting character of the Platonic philosophy) is
given as the definition; not of temperance; but of justice; (5) The
impatience which is exhibited by Socrates of any definition of temperance
in which an element of science or knowledge is not included; (6) The
beginning of metaphysics and logic implied in the two questions: whether
there can be a science of science; and whether the knowledge of what you
know is the same as the knowledge of what you do not know; and also in the
distinction between 'what you know' and 'that you know;' (Greek;) here too
is the first conception of an absolute self…determined science (the claims
of which; however; are disputed by Socrates; who asks cui bono?) as well as
the first suggestion of the difficulty of the abstract and concrete; and
one of the earliest anticipations of the relation of subject and object;
and of the subjective element in knowledgea 'rich banquet' of
metaphysical questions in which we 'taste of many things。' (7) And still
the mind of Plato; having snatched for a moment at these shadows of the
future; quickly rejects them: thus early has he reached the conclusion
that there can be no science which is a 'science of nothing' (Parmen。)。
(8) The conception of a science of good and evil also first occurs here; an
anticipation of the Philebus and Republic as well as of moral philosophy in
later ages。
The dramatic interest of the Dialogue chiefly centres in the youth
Charmides; with whom Socrates talks in the kindly spirit of an elder。 His
childlike simplicity and ingenuousness are contrasted with the dialectical
and rhetorical arts of Critias; who is the grown…up man of the world;
having a tincture of philosophy。 No hint is given; either here or in the
Timaeus; of the infamy which attaches to the name of the latter in Athenian
history。 He is simply a cultivated person who; like his kinsman Plato; is
ennobled by the connection of his family with Solon (Tim。); and had been
the follower; if not the disciple; both of Socrates and of the Sophists。
In the argument he is not unfair; if allowance is made for a slight
rhetorical tendency; and for a natural desire to save his reputation with
the company; he is sometimes nearer the truth than Socrates。 Nothing in
his language or behaviour is unbecoming the guardian of the beautiful
Charmides。 His love of reputation is characteristically Greek; and
contrasts with the humility of Socrates。 Nor in Charmides himself do we
find any resemblance to the Charmides of history; except; perhaps; the
modest and retiring nature which; according to Xenophon; at one time of his
life prevented him from speaking in the Assembly (Mem。); and we are
surprised to hear that; like Critias; he afterwards became one of the
thirty tyrants。 In the Dialogue he is a pattern of virtue; and is
therefore in no need of the charm which Socrates is unable to apply。 With
youthful naivete; keeping his secret and entering into the spirit of
Socrates; he enjoys the detection of his elder and guardian Critias; who is
easily seen to be the author of the definition which he has so great an
interest in maintaining。 The preceding definition; 'Temperance is doing
one's own business;' is assumed to have been borrowed by Charmides from
another; and when the enquiry becomes more abstract he is superseded by
Critias (Theaet。; Euthyd。)。 Socrates preserves his accustomed irony to the
end; he is in the neighbourhood of several great truths; which he views in
various lights; but always either by bringing them to the test of common
sense; or by demanding too great exactness in the use of words; turns aside
from them and comes at last to no conclusion。
The definitions of temperance proceed in regular order from the popular to
the philosophical。 The first two are simple enough and partially true;
like the first thoughts of an intelligent youth; the third; which is a real
contribution to ethical philosophy; is perverted by the ingenuity of
Socrates; and hardly rescued by an equal perversion on the part of Critias。
The remaining definitions have a higher aim; which is to introduce the
element of knowledge; and at last to unite good and truth in a single
science。 But the time has not yet arrived for the realization of this
vision of metaphysical philosophy; and such a science when brought nearer