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the book of tea-及2嫗

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midnight�察�and with tea welcomed  the morning。;

Charles Lamb�察�a professed devotee�察�sounded the true note of Teaism  when he wrote that the greatest pleasure he knew was to do a  good action by stealth�察�and to have it found out by accident。  For Teaism is the art of concealing beauty that you may discover it�察�of suggesting what you dare not reveal。  It is the noble secret of laughing at yourself�察�calmly yet thoroughly�察�and is thus humour itself��the smile of philosophy。  All genuine humourists may in this sense be called tea´philosophers��Thackeray�察�for instance�察�and of course�察�Shakespeare。  The poets of the Decadence ��when was not the world in decadence�殖��察�in their protests against materialism�察�have�察�to a certain extent�察�also opened the way to Teaism。  Perhaps nowadays it is our demure contemplation of the Imperfect that the West and the East can meet in mutual consolation。

The Taoists relate that at the great beginning of the No´Beginning�察�Spirit and Matter met in mortal combat。  At last the Yellow Emperor�察�the Sun of Heaven�察�triumphed over Shuhyung�察�the demon of darkness and earth。  The Titan�察�in his death agony�察�struck his head against the solar vault and shivered the blue dome of jade into fragments。  The stars lost their nests�察�the moon wandered aimlessly among the wild chasms of the night。  In despair the Yellow Emperor sought far and wide for the repairer of the Heavens。  He had not to search in vain。  Out of the  Eastern sea rose a queen�察�the divine Niuka�察�horn´crowned and  dragon´tailed�察�resplendent in her armor of fire。  She welded the five´coloured rainbow in her magic cauldron and rebuilt the Chinese sky。  But it is told that Niuka forgot to fill two tiny  crevices in the blue firmament。  Thus began the dualism of lovetwo souls rolling through space and never at rest until they join together to complete the universe。 Everyone has to build anew his sky of hope and peace。

The heaven of modern humanity is indeed shattered in the Cyclopean struggle for wealth and power。  The world is groping in the shadow of egotism and vulgarity。  Knowledge is bought through a bad conscience�察�benevolence practiced for the sake of utility。  The East and the West�察�like two dragons tossed in a sea of ferment�察�in vain strive to regain the jewel of life。  We need a Niuka again to repair the grand devastation�察�we await the great Avatar。  Meanwhile�察�let us have a sip of tea。 The afternoon glow is brightening the bamboos�察�the fountains are bubbling with delight�察�the soughing of the pines is heard in our kettle。  Let us dream of evanescence�察�and linger in the beautiful foolishness of things。



II。 The Schools of Tea。


Tea is a work of art and needs a master hand to bring out its noblest qualities。  We have good and bad tea�察�as we have good and bad paintingsgenerally the latter。  There is no single recipe for making the perfect tea�察�as there are no rules for producing a Titian or a Sesson。  Each preparation of the leaves has its individuality�察�its special affinity with water and heat�察�its own method of telling a story。  The truly beautiful must always be in it。  How much do we not suffer through the constant failure of society to recognise this simple and fundamental law of art and life�察�Lichilai�察�a Sung poet�察�has sadly remarked that there were three most deplorable things in the world�此�the spoiling of fine youths through false education�察�the degradation of fine art through vulgar admiration�察�and the utter waste of fine tea through incompetent manipulation。

Like Art�察�Tea has its periods and its schools。  Its evolution may be roughly divided into three main stages�此�the Boiled Tea�察�the Whipped Tea�察�and the Steeped Tea。  We moderns belong to the last school。  These several methods of appreciating the beverage are indicative of the spirit of the age in which they prevailed。  For life is an expression�察�our unconscious actions the constant betrayal of our innermost thought。 Confucius said that ;man hideth not。; Perhaps we reveal ourselves too much in small things because we have so little of the great to conceal。  The tiny incidents of daily routine are as much a commentary of racial ideals as the highest flight of philosophy or poetry。  Even as the difference in favorite vintage marks the separate idiosyncrasies of different periods and nationalities of Europe�察�so the Tea´ideals characterise the various moods of Oriental culture。  The Cake´tea which was boiled�察�the Powdered´tea which was whipped�察�the Leaf´tea which was  steeped�察�mark the distinct emotional impulses of the Tang�察 �the Sung�察�and the Ming dynasties of China。  If we were  inclined to borrow the much´abused terminology of art´classification�察�we might designate them respectively�察�the Classic�察�the Romantic�察�and the Naturalistic schools of Tea。

The tea´plant�察�a native of southern China�察�was known from very early times to Chinese botany and medicine。  It is alluded to in the classics under the various names of Tou�察�Tseh�察�Chung�察�Kha�察�and Ming�察�and was highly prized for possessing the  virtues of relieving fatigue�察�delighting the soul�察�strengthening the will�察�and repairing the eyesight。 It was not only administered as an internal dose�察�but often applied externally in form of paste to alleviate rheumatic pains。  The Taoists claimed it as an important ingredient of the elixir of immortality。  The Buddhists used it extensively to prevent drowsiness during their long hours of meditation。

By the fourth and fifth centuries Tea became a favourite beverage among the inhabitants of the Yangtse´Kiang valley。 It was about this time that modern ideograph Cha was coined�察�evidently a corruption of the classic Tou。 The poets of the southern dynasties have left some fragments of their fervent adoration of the ;froth of the liquid jade。; Then emperors used to bestow some rare preparation of the leaves on their high ministers as a reward for eminent services。 Yet the method of drinking tea at this stage was primitive in the extreme。  The leaves were steamed�察�crushed in a mortar�察�made into a cake�察�and boiled together with rice�察�ginger�察�salt�察�orange peel�察�spices�察�milk�察�and sometimes with onions� �The custom obtains at the present day among the Thibetans and various Mongolian tribes�察�who make a curious syrup of these ingredients。  The use of lemon slices by the Russians�察�who learned to take tea from the Chinese caravansaries�察�points to the survival of the ancient method。

It needed the genius of the Tang dynasty to emancipate Tea from its crude state and lead to its final idealization。  With Luwuh in the middle of the eighth century we have our first apostle of tea。 He was born in an age when Buddhism�察�Taoism�察�and Confucianism were seeking mutual synthesis。 The pantheistic symbolism of the time was urging one to mirror the Universal in the Particular。  Luwuh�察�a poet�察�saw in the Tea´service the same harmony and order which reigned through all things。  In his celebrated work�察�the ;Chaking; ��The Holy Scripture of Tea�� he formulated the Code of Tea。 He has since been worshipped as the tutelary god of the Chinese tea merchants。

The ;Chaking; consists of three volumes and ten chapters。 In the first chapter Luwuh treats of the nature of the tea´plant�察�in the second of the implements for gathering the leaves�察�in the third of the selection of the leaves。  According to him the best quality of the leaves must have ;creases like the leathern boot of Tartar horsemen�察�curl like the dewlap of a mighty bullock�察�unfold like a mist rising out of a ravine�察�gleam like a lake touched by a zephyr�察�and be wet and soft like fine earth newly swept by rain。;

The fourth chapter is devoted to the enumeration and description of the twenty´four members of the tea´equipage�察�beginning with the tripod brazier and ending with the bamboo cabinet for containing all these utensils。  Here we notice Luwuh's predilection for Taoist symbolism。 Also it is interesting to observe in this connection the influence of tea on Chinese ceramics。  The Celestial porcelain�察�as is well known�察�had its origin in an attempt to reproduce the exquisite shade of jade�察�resulting�察�in the Tang dynasty�察�in the blue glaze of the south�察�and the white glaze of the north。  Luwuh considered the blue as the ideal colour for the tea´cup�察�as it lent additional greenness to the beverage�察�whereas the white made it look pinkish and distasteful。  It was because he used cake´tea。  Later on�察�when  the tea masters of Sung took to the powdered tea�察�they preferred heavy bowls of blue´black and dark brown。  The Mings�察�with  their steeped tea�察�rejoiced in light ware of white porcelain。

In the fifth chapter Luwuh describes the method of making tea。 He eliminates all ingredients except salt。  He dwells also on the much´discussed question of the choice of water and the degree of boiling it。  According to him�察�the mountain spring is the best�察�the river water and the spring water come next in the order of excellence。  There are three stages of boiling�此�the first boil is  when the little bubbles like the eye of fishes swim on the surface�察�the second boil is when the bubbles are like crystal beads rolling in a fountain�察�the third boil is when the billows surge wildly in the kettle。  The Cake´tea is roasted before the fire until it becomes soft like a baby's arm and is shredded into powder between pieces of fine paper。  Salt is put in the first boil�察�the tea in the second。 At the third boil�察�a dipperful of cold water is poured into the kettle to settle the tea and revive the ;youth of the water。;  Then the beverage was poured into cups and drunk。  O nectar�  �The filmy leaflet hung like scaly clouds in a serene sky or floated like waterlilies on emerald streams。  It was of such a beverage that  Lotung�察�a Tang poet�察�wrote�此 �The first cup moistens my lips and throat�察�the second cup breaks my loneliness�察�the third cup  searches my barren entrail but to find therein some five thousand volumes of odd ideographs。  The fourth cup raises a slight perspiration��all the wrong of life passes away through my pores。  At the fifth cup I am purified�察�the sixth cup calls me to the realms of the immortals。  The seventh cupah�察�but I could take no more�  �I only feel the breath of cool wind that rises in my sleeves。  Where is Horaisan�拭 �Let me ride on this sweet breeze and waft away thither。;

The remaining chapters of the ;Chaking; treat of the vulgarity of the ordinary methods of tea´drinking�察�a historical summary of illustrious tea´drinkers�察�the famous tea plantations of  China�察�the possible variations of the tea´service and illustrations of the tea´utensils。  The last is unfortunately lost。

The appearance of the ;Chaking; must have created  considerable sensation at the time。  Luwuh was befriended by the Emperor Taisung ��763´779���察�and his fame attracted  many followers。  Some exquisites were said to have been able to detect the tea made by Luwuh from that of his disciples。 One mandarin has his name immortalised by his failure to appreciate the tea of this great master。

In the Sung dynasty the whipped tea came into fashion and created the second school of Tea。  The leaves were ground to fine powder in a small stone mill�察�and the preparation was whipped in hot water by a delicate whisk made of split bamboo。 The new process led to some change in the tea´equippage of Luwuh�察�as well as in the choice of le

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