the colour of life-及7嫗
梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
But for the vigilance of Vestries�察�grass would reconcile everything。
When the first heat of the summer was over�察�a few nights of rain
altered all the colour of the world。 It had been the brown and
russet of drought ´ very beautiful in landscape�察�but lifeless�察�it
became a translucent�察�profound�察�and eager green。 The citizen does
not spend attention on it。
Why�察�then�察�is his vestry so alert�察�so apprehensive�察�so swift�察�in
perception so instant�察�in execution so prompt�察�so silent in action��
so punctual in destruction�拭 �The vestry keeps�察�as it were�察�a tryst
with the grass。 The ;sunny spots of greenery; are given just time
enough to grow and be conspicuous�察�and the barrow is there�察�true to
time�察�and the spade。 ��To call that spade a spade hardly seems
enough。��
For the gracious grass of the summer has not been content within
enclosures。 It has ´ or would have ´ cheered up and sweetened
everything。 Over asphalte it could not prevail�察�and it has prettily
yielded to asphalte�察�taking leave to live and let live。 It has
taken the little strip of ground next to the asphalte�察�between this
and the kerb�察�and again the refuse of ground between the kerb and
the roadway。 The man of business walking to the station with a bag
could have his asphalte all unbroken�察�and the butcher's boy in his
cart was not annoyed。 The grass seemed to respect everybody's
views�察�and to take only what nobody wanted。 But these gay and lowly
ways will not escape a vestry。
There is no wall so impregnable or so vulgar�察�but a summer's grass
will attempt it。 It will try to persuade the yellow brick�察�to win
the purple slate�察�to reconcile stucco。 Outside the authority of the
suburbs it has put a luminous touch everywhere。 The thatch of
cottages has given it an opportunity。 It has perched and alighted
in showers and flocks。 It has crept and crawled�察�and stolen its
hour。 It has made haste between the ruts of cart wheels�察�so they
were not too frequent。 It has been stealthy in a good cause�察�and
bold out of reach。 It has been the most defiant runaway�察�and the
meekest lingerer。 It has been universal�察�ready and potential in
every place�察�so that the happy country ´ village and field alike ´
has been all grass�察�with mere exceptions。
And all this the grass does in spite of the ill´treatment it suffers
at the hands�察�and mowing´machines�察�and vestries of man。 His ideal
of grass is growth that shall never be allowed to come to its flower
and completion。 He proves this in his lawns。 Not only does he cut
the coming grass´flower off by the stalk�察�but he does not allow the
mere leaf ´ the blade ´ to perfect itself。 He will not have it a
;blade; at all�察�he cuts its top away as never sword or sabre was
shaped。 All the beauty of a blade of grass is that the organic
shape has the intention of ending in a point。 Surely no one at all
aware of the beauty of lines ought to be ignorant of the
significance and grace of manifest intention�察�which rules a living
line from its beginning�察�even though the intention be towards a
point while the first spring of the line is towards an opening
curve。 But man does not care for intention�察�he mows it。 Nor does
he care for attitude�察�he rolls it。 In a word�察�he proves to the
grass�察�as plainly as deeds can do so�察�that it is not to his mind。
The rolling�察�especially�察�seems to be a violent way of showing that
the universal grass interrupted by the life of the Englishman is not
as he would have it。 Besides�察�when he wishes to deride a city�察�he
calls it grass´grown。
But his suburbs shall not�察�if he can help it�察�be grass´grown。 They
shall not be like a mere Pisa。 Highgate shall not so�察�nor Peckham。
A WOMAN IN GREY
The mothers of Professors were indulged in the practice of jumping
at conclusions�察�and were praised for their impatience of the slow
process of reason。
Professors have written of the mental habits of women as though they
accumulated generation by generation upon women�察�and passed over
their sons。 Professors take it for granted�察�obviously by some
process other than the slow process of reason�察�that women derive
from their mothers and grandmothers�察�and men from their fathers and
grandfathers。 This�察�for instance�察�was written lately�此 �This power
��it matters not what�А�would be about equal in the two sexes but for
the influence of heredity�察�which turns the scale in favour of the
woman�察�as for long generations the surroundings and conditions of
life of the female sex have developed in her a greater degree of the
power in question than circumstances have required from men。; ;Long
generations; of subjection are�察�strangely enough�察�held to excuse the
timorousness and the shifts of women to´day。 But the world��
unknowing�察�tampers with the courage of its sons by such a slovenly
indulgence。 It tampers with their intelligence by fostering the
ignorance of women。
And yet Shakespeare confessed the participation of man and woman in
their common heritage。 It is Cassius who speaks��
;Have you not love enough to bear with me
When that rash humour which my mother gave me
Makes me forgetful�拭�
And Brutus who replies��
;Yes�察�Cassius�察�and from henceforth
When you are over´earnest with your Brutus
He'll think your mother chides�察�and leave you so。;
Dryden confessed it also in his praises of Anne Killigrew��
;If by traduction came thy mind��
Our wonder is the less to find
A soul so charming from a stock so good。
Thy father was transfused into thy blood。;
The winning of Waterloo upon the Eton playgrounds is very well�察�but
there have been some other�察�and happily minor�察�fields that were not
won ´ that were more or less lost。 Where did this loss take place��
if the gains were secured at football�拭 �This inquiry is not quite so
cheerful as the other。 But while the victories were once going
forward in the playground�察�the defeats or disasters were once going
forward in some other place�察�presumably。 And this was surely the
place that was not a playground�察�the place where the future wives of
the football players were sitting still while their future husbands
were playing football。
This is the train of thought that followed the grey figure of a
woman on a bicycle in Oxford Street。 She had an enormous and top´
heavy omnibus at her back。 All the things on the near side of the
street ´ the things going her way ´ were going at different paces��
in two streams�察�overtaking and being overtaken。 The tributary
streets shot omnibuses and carriages�察�cabs and carts ´ some to go
her own way�察�some with an impetus that carried them curving into the
other current�察�and other some making a straight line right across
Oxford Street into the street opposite。 Besides all the unequal
movement�察�there were the stoppings。 It was a delicate tangle to
keep from knotting。 The nerves of the mouths of horses bore the
whole charge and answered it�察�as they do every day。
The woman in grey�察�quite alone�察�was immediately dependent on no
nerves but her own�察�which almost made her machine sensitive。 But
this alertness was joined to such perfect composure as no flutter of
a moment disturbed。 There was the steadiness of sleep�察�and a
vigilance more than that of an ordinary waking。
At the same time�察�the woman was doing what nothing in her youth
could well have prepared her for。 She must have passed a childhood
unlike the ordinary girl's childhood�察�if her steadiness or her
alertness had ever been educated�察�if she had been rebuked for
cowardice�察�for the egoistic distrust of general rules�察�or for claims
of exceptional chances。 Yet here she was�察�trusting not only herself
but a multitude of other people�察�taking her equal risk�察�giving a
watchful confidence to averages ´ that last�察�perhaps�察�her strangest
and greatest success。
No exceptions were hers�察�no appeals�察�and no forewarnings。 She
evidently had not in her mind a single phrase�察�familiar to women��
made to express no confidence except in accidents�察�and to proclaim a
prudent foresight of the less probable event。 No woman could ride a
bicycle along Oxford Street with any such baggage as that about her。
The woman in grey had a watchful confidence not only in a multitude
of men but in a multitude of things。 And it is very hard for any
untrained human being to practise confidence in things in motion ´
things full of force�察�and�察�what is worse�察�of forces。 Moreover��
there is a supreme difficulty for a mind accustomed to search
timorously for some little place of insignificant rest on any
accessible point of stable equilibrium�察�and that is the difficulty
of holding itself nimbly secure in an equilibrium that is unstable。
Who can deny that women are generally used to look about for the
little stationary repose just described�拭 �Whether in intellectual or
in spiritual things�察�they do not often live without it。
She�察�none the less�察�fled upon unstable equilibrium�察�escaped upon it��
depended upon it�察�trusted it�察�was `ware of it�察�was on guard against
it�察�as she sped amid her crowd her own unstable equilibrium�察�her
machine's�察�that of the judgment�察�the temper�察�the skill�察�the
perception�察�the strength of men and horses。
She had learnt the difficult peace of suspense。 She had learnt also
the lowly and self´denying faith in common chances。 She had learnt
to be content with her share ´ no more ´ in common security�察�and to
be pleased with her part in common hope。 For all this�察�it may be
repeated�察�she could have had but small preparation。 Yet no anxiety
was hers�察�no uneasy distrust and disbelief of that human thing ´ an
average of life and death。
To this courage the woman in grey had attained with a spring�察�and
she had seated herself suddenly upon a place of detachment between
earth and air�察�freed from the principal detentions�察�weights�察�and
embarrassments of the usual life of fear。 She had made herself�察�as
it were�察�light�察�so as not to dwell either in security or danger�察�but
to pass between them。 She confessed difficulty and peril by her
delicate evasions�察�and consented to rest in neither。 She would not
owe safety to the mere motionlessness of a seat on the solid earth��
but she used gravitation to balance the slight burdens of her
wariness and her confidence。 She put aside all the pride and vanity
of terror�察�and leapt into an unsure condition of liberty and
content。
She leapt�察�too�察�into a life of moments。 No pause was possible to
her as she went�察�except the vibrating pause of a perpetual change
and of an unflagging flight。 A woman�察�long educated to sit still��
does not suddenly learn to live a momentary life without strong
momentary resolution。 She has no light achievement in limiting not
only her foresight�察�which must become brief�察�but her memory�察�which
must do more�察�for it must rather cease than become brief。 Idle
memory wastes time and other