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sufferance of sleep�察�belongs such a vision。 



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     Corot   also   took   the   brilliant   opportunity   of   the   hours   of   sleep。     In 

some landscapes of his early manner he has the very light of dreams�察�and 

it was surely because he went abroad at the time when sleep and dreams 

claimed   his   eyes   that   he   was   able   to   see   so   spiritual   an   illumination。 

Summer is precious for a painter�察�chiefly because in summer so many of 

the hours of sleep are also hours of light。               He carries the mood of man's 

night out into the sunshineCorot did so´ ´and lives the life of night�察�in all 

its genius�察�in the presence of a risen sun。             In the only time when the heart 

can   dream   of   light�察  �in   the   night   of   visions�察  �with   the   rhythmic   power   of 

night at its dark noon in his mind�察�his eyes see the soaring of the actual 

sun。 

     He himself has not yet passed at that hour into the life of day。                   To that 

life   belongs   many   another   kind   of   work�察  �and   a   sense   of   other   kinds   of 

beauty�察  �but   the   summer   daybreak   was   seen   by   Corot   with   the   extreme 

perception of the life of night。           Here�察�at last�察�is the explanation of all the 

memories of dreams recalled by these visionary paintings�察�done in earlier 

years than were those�察�better known�察�that are the Corots of all the world。 

Every man who knows what it is to dream of landscape meets with one of 

these works of Corot's first manner with a cry�察�not of welcome only�察�but of 

recognition。       Here   is   morning   perceived   by   the   spirit   of   the   hours   of 

sleep。 



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                            THE HORIZON 



     To mount a hill is to lift with you something lighter and brighter than 

yourself   or   than   any   meaner   burden。     You   lift   the   world�察  �you   raise   the 

horizon�察�you give a signal for the distance to stand up。 It is like the scene 

in the Vatican when a Cardinal�察�with his dramatic Italian hands�察�bids the 

kneeling groups to arise。         He does more than bid them。             He lifts them�察�

he gathers them up�察�far and near�察�with the upward gesture of both arms�察�he 

takes them to their feet with the compulsion of his expressive force。                Or it 

is as when a conductor takes his players to successive heights of music。 

You     summon      the  sea�察 �you   bring   the   mountains�察    �the  distances    unfold 

unlooked´for wings and take an even flight。             You are but a man lifting his 

weight   upon   the   upward   road�察  �but   as   you   climb   the   circle   of   the   world 

goes up to face you。 

     Not here or there�察�but   with a definite  continuity�察�the  unseen unfolds。 

This distant hill outsoars that less distant�察�but all are on the wing�察�and the 

plain raises its verge。      All things follow and wait upon your eyes。               You 

lift these up�察�not by the raising of your eyelids�察�but by the pilgrimage of 

your   body。     ;Lift   thine   eyes   to   the   mountains。;   It   is   then   that   other 

mountains lift themselves to your human eyes。 

     It is the law whereby the eye and the horizon answer one another that 

makes the way up a hill so full of universal movement。                All the landscape 

is on pilgrimage。        The town gathers itself closer�察�and its inner harbours 

literally come to light�察�the headlands repeat themselves�察�little cups within 

the treeless hills open and show their farms。            In the sea are many regions。 

A breeze is at play for a mile or two�察�and the surface is turned。              There are 

roads and curves in the blue and in the white。             Not a step of your journey 

up the height that has not its replies in the steady motion of land and sea。 

Things rise together like a flock of many´feathered birds。 

     But it is the horizon�察�more than all else�察�you have come in search of。 

That is your chief companion on your way。                It is to uplift the horizon to 

the equality of your sight that you go high。           You give it a distance worthy 

of the skies。      There is no distance�察�except the distance in the sky�察�to be 



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seen from the level earth�察�but from the height is to be seen the distance of 

this world。      The line is sent back into the remoteness of light�察�the verge is 

removed beyond verge�察�into a distance that is enormous and minute。 

     So delicate and so slender is the distant horizon that nothing less near 

than   Queen   Mab   and   her   chariot   can   equal   its   fineness。      Here   on   the 

edges of the eyelids�察�or there on the edges of the worldwe know no other 

place for things so exquisitely  made�察�so thin�察�so small and tender。                     The 

touches of her passing�察�as close as dreams�察�or the utmost vanishing of the 

forest or the ocean in the white light between the earth and the air�察�nothing 

else   is   quite   so   intimate   and   fine。 The   extremities   of   a   mountain   view 

have just such tiny touches as the closeness of closed eyes shuts in。 

     On    the   horizon    is  the  sweetest    light。   Elsewhere       colour   mars    the 

simplicity of light�察�but there colour is effaced�察�not as men efface it�察�by a 

blur   or   darkness�察 �but   by   mere   light。   The   bluest   sky  disappears   on   that 

shining edge�察�there is not substance   enough for colour。                  The rim of   the 

hill�察�of   the   woodland�察  �of   the   meadow´land�察  �of   the  sealet   it   only  be   far 

enoughhas       the   same    absorption    of   colour�察  �and   even    the  dark   things 

drawn upon the bright edges of the sky are lucid�察�the light is among them�察�

and they  are   mingled   with   it。      The horizon has its   own   way  of   making 

bright the pencilled figures of forests�察�which are black but luminous。 

     On the horizon�察�moreover�察�closes the long perspective of the sky。 There 

you   perceive   that   an   ordinary  sky  of   cloudsnot  a   thunder skyis not   a 

wall   but   the   underside   of   a   floor。 You   see   the   clouds   that   repeat   each 

other grow smaller by distance�察�and you find a new unity in the sky and 

earth that gather alike the great lines of their designs to the same distant 

close。     There is no longer an alien sky�察�tossed up in unintelligible heights 

above a world that is subject to intelligible perspective。 

     Of all the things that London has foregone�察�the most to be regretted is 

the horizon。      Not the bark of the trees in its right colour�察�not the spirit of 

the growing grass�察�which has in some way escaped from the parks�察�not the 

smell of the earth unmingled with the odour of soot�察�but rather the mere 

horizon。     No doubt the sun makes a beautiful thing of the London smoke 

at times�察�and in some places of the sky�察�but not there�察�not where the soft 

sharp distance ought to shine。           To be dull there is to put all relations and 



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comparisons in the wrong�察�and to make the sky lawless。 

     A horizon dark with storm is another thing。                The weather darkens the 

line and defines it�察�or mingles it with the raining cloud�察�or softly dims it�察�or 

blackens it against a gleam of narrow sunshine in the sky。                       The stormy 

horizon   will   take   wing�察  �and   the   sunny。     Go   high   enough�察  �and   you   can 

raise the light from beyond the shower�察�and the shadow from behind the 

ray。    Only   the     shapeless    and   lifeless   smoke     disobeys     and   defeats    the 

summer of the eyes。 

     Up   at   the   top   of   the   seaward   hill   your   first   thought   is   one   of   some 

compassion   for   sailors�察  �inasmuch   as   they   see   but   little   of   their   sea。   A 

child on a mere Channel cliff looks upon spaces and sizes that they cannot 

see in the Pacific�察�on the ocean side of the world。 Never in the solitude of 

the   blue   water�察  �never   between   the   Cape   of   Good   Hope   and   Cape   Horn�察�

never between the Islands and the West�察�has the seaman seen anything but 

a little circle of sea。       The Ancient Mariner�察�when he was alone�察�did but 

drift through a thousand narrow solitudes。               The sailor has nothing but his 

mast�察 �indeed。       And   but  for his   mast   he   would be isolated in   as   small   a 

world as that of a traveller through the plains。 

     Round the plains the horizon lies with folded wings。                  It keeps them so 

perpetually for man�察�and opens them only for the bird�察�replying to flight 

with flight。 

     A   close   circlet   of   waves   is   the   sailor's   famous   offing。    His   offing 

hardly   deserves       the  name     of  horizon。     To    hear   him   you    might    think 

something of his offing�察�but you do not so when you sit down in the centre 

of it。 

     As the upspringing of all things at your going up the heights�察�so steady�察�

so swift�察�is the subsidence at your descent。              The further sea lies away�察�hill 

folds    down     behind    hill。  The     whole    upstanding      world�察   �with   its  looks 

serene and alert�察�its distant replies�察�its signals of many miles�察�its signs and 

communications of light�察�gathers down and pauses。                      This flock of birds 

which is   the mobile   landscape  wheels and   goes   to earth。               The  Cardinal 

weighs   down   the   audience   with   his   downward   hands。            Farewell   to   the 

most delicate horizon。 



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      HABITS AND CONSCIOUSNESS 



     Education might do somewhat to control the personal habits for which 

ungenerous   observant   men   are   inclined   to   dislike   one   another。      It   has 

done     little。 As    to  literature�察 �this  has   had   the  most   curiously    diverse 

influence upon the human sensitiveness to habit。                Tolstoi's perception of 

habits is keener than a child's�察�and he takes them uneasily�察�as a child does 

not。    He holds them to be the occasion�察�if not the cause�察�of hatred。              Anna 

Karenina�察  �as   she   drank   her   coffee�察  �knew   that   her   sometime   lover   was 

dreading to hear her swallow it�察�and was hating t

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