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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




had a dozen men alert to get me special matter of the sort that 

draws in the unattached reader。  The chief danger on the literary 

side of a weekly is that it should fall into the hands of some 

particular school�察�and this I watched for closely。  It seems 

impossible to get vividness of apprehension and breadth of view 

together in the same critic。  So it falls to the wise editor to 

secure the first and impose the second。  Directly I detected the 

shrill partisan note in our criticism�察�the attempt to puff a poor 

thing because it was ;in the right direction�察─�or damn a vigorous 

piece of work because it wasn't�察�I tackled the man and had it out 

with him。  Our pay was good enough for that to matter a good deal。 。 。 。



Our distinctive little blue and white poster kept up its neat 

persistent appeal to the public eye�察�and before 1911 was out�察�the 

BLUE WEEKLY was printing twenty pages of publishers' advertisements�察�

and went into all the clubs in London and three´quarters of the 

country houses where week´end parties gather together。  Its sale by 

newsagents and bookstalls grew steadily。  One got more and more the 

reassuring sense of being discussed�察�and influencing discussion。







5





Our office was at the very top of a big building near the end of 

Adelphi Terrace�察�the main window beside my desk�察�a big undivided 

window of plate glass�察�looked out upon Cleopatra's Needle�察�the 

corner of the Hotel Cecil�察�the fine arches of Waterloo Bridge�察�and 

the long sweep of south bank with its shot towers and chimneys�察�past 

Bankside to the dimly seen piers of the great bridge below the 

Tower。  The dome of St。 Paul's just floated into view on the left 

against the hotel facade。  By night and day�察�in every light and 

atmosphere�察�it was a beautiful and various view�察�alive as a 

throbbing heart�察�a perpetual flow of traffic ploughed and splashed 

the streaming silver of the river�察�and by night the shapes of things 

became velvet black and grey�察�and the water a shining mirror of 

steel�察�wearing coruscating gems of light。  In the foreground the 

Embankment trams sailed glowing by�察�across the water advertisements 

flashed and flickered�察�trains went and came and a rolling drift of 

smoke reflected unseen fires。  By day that spectacle was sometimes a 

marvel of shining wet and wind´cleared atmosphere�察�sometimes a 

mystery of drifting fog�察�sometimes a miracle of crowded details�察�

minutely fine。



As I think of that view�察�so variously spacious in effect�察�I am back 

there�察�and this sunlit paper might be lamp´lit and lying on my old 

desk。  I see it all again�察�feel it all again。  In the foreground is 

a green shaded lamp and crumpled galley slips and paged proofs and 

letters�察�two or three papers in manuscript�察�and so forth。  In the 

shadows are chairs and another table bearing papers and books�察�a 

rotating bookcase dimly seen�察�a long window seat black in the 

darkness�察�and then the cool unbroken spectacle of the window。  How 

often I would watch some tram´car�察�some string of barges go from me 

slowly out of sight。  The people were black animalculae by day�察�

clustering�察�collecting�察�dispersing�察�by night�察�they were phantom 

face´specks coming�察�vanishing�察�stirring obscurely between light and 

shade。



I recall many hours at my desk in that room before the crisis came�察�

hours full of the peculiar happiness of effective strenuous work。  

Once some piece of writing went on�察�holding me intent and forgetful 

of time until I looked up from the warm circle of my electric lamp 

to see the eastward sky above the pale silhouette of the Tower 

Bridge�察�flushed and banded brightly with the dawn。







CHAPTER THE FOURTH



THE BESETTING OF SEX







1





Art is selection and so is most autobiography。  But I am concerned 

with a more tangled business than selection�察�I want to show a 

contemporary man in relation to the state and social usage�察�and the 

social organism in relation to that man。  To tell my story at all I 

have to simplify。  I have given now the broad lines of my political 

development�察�and how I passed from my initial liberal´socialism to 

the conception of a constructive aristocracy。  I have tried to set 

that out in the form of a man discovering himself。  Incidentally 

that self´development led to a profound breach with my wife。  One 

has read stories before of husband and wife speaking severally two 

different languages and coming to an understanding。  But Margaret 

and I began in her dialect�察�and�察�as I came more and more to use my 

own�察�diverged。



I had thought when I married that the matter of womankind had ended 

for me。  I have tried to tell all that sex and women had been to me 

up to my married life with Margaret and our fatal entanglement�察�

tried to show the queer�察�crippled�察�embarrassed and limited way in 

which these interests break upon the life of a young man under 

contemporary conditions。  I do not think my lot was a very 

exceptional one。  I missed the chance of sisters and girl playmates�察�

but that is not an uncommon misadventure in an age of small 

families�察�I never came to know any woman at all intimately until I 

was married to Margaret。  My earlier love affairs were encounters of 

sex�察�under conditions of furtiveness and adventure that made them 

things in themselves�察�restricted and unilluminating。  From a boyish 

disposition to be mystical and worshipping towards women I had 

passed into a disregardful attitude�察�as though women were things 

inferior or irrelevant�察�disturbers in great affairs。  For a time 

Margaret had blotted out all other women�察�she was so different and 

so near�察�she was like a person who stands suddenly in front of a 

little window through which one has been surveying a crowd。  She 

didn't become womankind for me so much as eliminate womankind from 

my world。 。 。 。  And then came this secret separation。 。 。 。



Until this estrangement and the rapid and uncontrollable development 

of my relations with Isabel which chanced to follow it�察�I seemed to 

have solved the problem of women by marriage and disregard。  I 

thought these things were over。  I went about my career with 

Margaret beside me�察�her brow slightly knit�察�her manner faintly 

strenuous�察�helping�察�helping�察�and if we had not altogether abolished 

sex we had at least so circumscribed and isolated it that it would 

not have affected the general tenor of our lives in the slightest 

degree if we had。



And then�察�clothing itself more and more in the form of Isabel and 

her problems�察�this old�察�this fundamental obsession of my life 

returned。  The thing stole upon my mind so that I was unaware of its 

invasion and how it was changing our long intimacy。  I have already 

compared the lot of the modern publicist to Machiavelli writing in 

his study�察�in his day women and sex were as disregarded in these 

high affairs as�察�let us say�察�the chemistry of air or the will of the 

beasts in the fields�察�in ours the case has altogether changed�察�and 

woman has come now to stand beside the tall candles�察�half in the 

light�察�half in the mystery of the shadows�察�besetting�察�interrupting�察�

demanding unrelentingly an altogether unprecedented attention。  I 

feel that in these matters my life has been almost typical of my 

time。  Woman insists upon her presence。  She is no longer a mere 

physical need�察�an aesthetic bye´play�察�a sentimental background�察�she 

is a moral and intellectual necessity in a man's life。  She comes to 

the politician and demands�察�Is she a child or a citizen�拭 �Is she a 

thing or a soul�拭 �She comes to the individual man�察�as she came to me 

and asks�察�Is she a cherished weakling or an equal mate�察�an 

unavoidable helper�拭 �Is she to be tried and trusted or guarded and 

controlled�察�bond or free�拭 �For if she is a mate�察�one must at once 

trust more and exact more�察�exacting toil�察�courage�察�and the hardest�察�

most necessary thing of all�察�the clearest�察�most shameless�察�

explicitness of understanding。 。 。 。







2





In all my earlier imaginings of statecraft I had tacitly assumed 

either that the relations of the sexes were all right or that anyhow 

they didn't concern the state。  It was a matter they�察�whoever ;they; 

were�察�had to settle among themselves。  That sort of disregard was 

possible then。  But even before 1906 there were endless intimations 

that the dams holding back great reservoirs of discussion were 

crumbling。  We political schemers were ploughing wider than any one 

had ploughed before in the field of social reconstruction。  We had 

also�察�we realised�察�to plough deeper。  We had to plough down at last 

to the passionate elements of sexual relationship and examine and 

decide upon them。



The signs multiplied。  In a year or so half the police of the 

metropolis were scarce sufficient to protect the House from one 

clamorous aspect of the new problem。  The members went about 

Westminster with an odd�察�new sense of being beset。  A good 

proportion of us kept up the pretence that the Vote for Women was an 

isolated fad�察�and the agitation an epidemic madness that would 

presently pass。  But it was manifest to any one who sought more than 

comfort in the matter that the streams of women and sympathisers and 

money forthcoming marked far deeper and wider things than an idle 

fancy for the franchise。  The existing laws and conventions of 

relationship between Man and Woman were just as unsatisfactory a 

disorder as anything else in our tumbled confusion of a world�察�and 

that also was coming to bear upon statecraft。



My first parliament was the parliament of the Suffragettes。  I don't 

propose to tell here of that amazing campaign�察�with its absurdities 

and follies�察�its courage and devotion。  There were aspects of that 

unquenchable agitation that were absolutely heroic and aspects that 

were absolutely pitiful。  It was unreasonable�察�unwise�察�and�察�except 

for its one central insistence�察�astonishingly incoherent。  It was 

amazingly effective。  The very incoherence of the demand witnessed�察�

I think�察�to the forces that lay behind it。  It wasn't a simple 

argument based on a simple assumption�察�it was the first crude 

expression of a great mass and mingling of convergent feelings�察�of a 

widespread�察�confused persuasion among modern educated women that the 

conditions of their relations with men were oppressive�察�ugly�察�

dishonouring�察�and had to be altered。  They had not merely adopted 

the Vote as a symbol of equality�察�it was fairly manifest to me that�察�

given it�察�they meant to use it�察�and to use it perhaps even 

vindictively and blindly�察�as a weapon against many things they had 

every reason to hate。 。 。 。



I remember�察�with exceptional vividness�察�that great night early in 

the session of 1909�察�whenI think it wasfifty or sixty women went 

to prison。  I had been dining at the Barham's�察�and Lord Barham and I 

came down from the direction of S

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