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of ivory; wood; metal and wax came into popular

vogue and so continued for many centuries; even after

the employment of ink for writing purposes had been

resumed。



Ovid; in his story of Caunus and Byblis; illustrates

the use of the tables (tablets); and he lived at the time

of the birth of Christ; thus translated:



 〃Then fits her trembling hands to Write:

 One holds the Wax; the Style the other guides;

 Begins; doubts; writes; and at the Table chides;

 Notes; razes; changes oft; dislikes; approves;

 Throws all aside; resumes what she removes。

 *   *    *    *    *    *    *    *

 〃The Wax thus filled with her successless wit;

 She Verses in the utmost margin writ。〃



He also makes reference to inks; in the passage

taken from his first elegy; 〃Ad Librum:〃



 〃Nec te purpureo velent vaccinia succo;

 Non est conveniens luctibus ille color。

 Nec titulus minio; nec cedro charta notetur。

 Candida nec nigra cornua fronte geras。〃



which Davids translates as follows:



〃TO HIS BOOK。



 〃Nor shall huckleberries stain (literally veil) thee with purple

          juice:

 That color is not becoming to lamentations。

 Nor shall title (or head…letter) be marked with vermillion; or

          paper with cedar;

 Thou shalt carry neither white nor black horns on thy forehead

          (or front; or frontispiece)。〃



The traditions handed down as of this era relating

to the efforts to find some substitute for 〃Indian〃

ink which would not only 〃bind〃 to parchment and

vellum but also would be satisfactory to the priests;

are more or less confirmed by the younger Pliny; and

makes it safe to assume that several were invented

and employed in writing; though possessing but little

lasting qualities。 Their use and natural disappearance

is perhaps the real cause of the fact that there are no

original MSS。 extant dating as of or belonging to the

time immediately preceding or following the birth of

Christ; or indeed until long after his death。



There is some authority though for the statement

that at this time two vitriolic substances were used in

the preparation of black ink;a slime or sediment

(Salsugo) and a yellow vitriolic earth (Misy)。 This

last…named mineral; is unquestionably the same natural

chemical mentioned by writers; which about the end

of the first century was designated 〃kalkanthum〃 or

〃chalkanthum〃 and possessed not only the appearance

of; but the virtues of what we know as blue

copperas or sulphate of copper。 It continued in use

as long as men were unacquainted with the art of

lixiviating salt; or; in other words; as long as they had

no vitriol manufactories。 Commingled with lampblack;

bitumen or like black substances in gummy

water; it was acceptable to the priests for ritualistic

writings and was in general vogue for several centuries

thereafter under the name of (blue) 〃vitriolic〃

ink; notwithstanding the fact that there could not be

any lasting chemical union between such materials。



It was the so…called 〃vitriolic〃 ink; which is said

to have 〃corroded the delicate leaves of the papyrus

and to have eaten through both parchment and

vellum。〃



These deductions; however; do not agree with some

of the historians and scholars like Noel Humphreys;

author of the 〃Origin and Progress of the Art of

Writing;〃 London; 1855; a recognized authority on the

subject of ancient MSS。; who but repeats in part the

text of earlier writers; when he says; p。 101:



〃Examples of early Greek MSS。 of the last century

previous to the Christian era are not confined

to Egyptian sources; the buried city of Herculaneum;

in Italy; partially destroyed about seventy…

nine years before the Christian era; and injured by

subsequeut eruptions; till totally destroyed by the

most violent eruption of Vesuvius on record; that

of the year 471 A。 D。 having yielded several

specimens。〃



The MSS。 examples mentioned in the citation; must

of necessity refer to specimens of writing made with

〃vitriolic〃 and even more ancient inks。 They are to

be considered in conjunction with the historical fact

that these cities were buried for more than sixteen

hundred years; counting from the first eruption; before

they were brought to light (Herculaneum was discovered

A。 D。 1713 and Pompeii; forty years later);

also that they must have been subjected to intense

heat and a long period of decay which could only operate

to rob them of all traces of natural ink phenomena。

Furthermore; the information Mr。 Humphreys

seeks to convey; dates contemporaneously with the first

eruption of Vesuvius; which occurred seventy…nine

years AFTER the Christian era and not seventy…nine

years BEFORE it。



This stupendous blunder involves a period of one

hundred and fifty…eight years; if it is rectified; the

〃early Greek MSS。〃 are shown to emanate from the

second half of the first century following the birth of

Christ and confirming to some extent the deductions

hereinbefore made; although the probabilities are that

they belong to later periods; included in the third and

fourth centuries。



It is affirmed that the eruption of Mt。 Vesuvius

A。 D。 79; did not entirely destroy the cities of Herculaneum

and Pompeii; and that they emerged from their

ruins in the reign of the Emperor Titus。 They are

also mentioned as inhabited cities in the chart of

Peutinger; which is of the date of Constantine。



The next eruption; A。 D。 471; was probably the most

frightful on record if we exclude the volcanic eruption

of Mt。 Pelee; which occurred in Martinique; West

Indies; in 1902; destroying thirty thousand human

beings in fifteen minutes and devastating nearly the

entire island。 From Marcellinus we learn that the

ashes of the Vesuvius volcano were vomited over a

great portion of Europe; reaching to Constantinople;

where a festival was instituted in commemoration of

the strange phenomenon。 After this; we hear no

more of these cities; but the portion of the inhabitants

who escaped built or occupied suburbs at Nola in

Campania and at Naples。 In the latter city; the Regio

Herculanensium; or Quarter of the Herculaneans; an

inscription marked on several lapidary monuments;

indicates the part devoted to the population driven

from the doomed city。



The ancient inkstand found at Herculaneum; said

to contain a substance resembling a thick oil or paint

characteristic of a material which it is alleged; 〃some

of the manuscripts have been written in a sort of

relievo; visible in the letters when a 'leaf' is held to

the light in a horizontal direction;〃 it is not impossible;

indeed it is quite probable; belonged to an era centuries

later than the period to which it has been assigned。



〃No perfect papyri; but only fragments; have been

found at Pompeii。 At Herculaneum; up to the year

1825; 1;756 had been obtained; besides many others

destroyed by the workmen; who imagined them to be

mere sticks of charcoal。 Most of them were found

in a suburban villa; in a room of small dimensions;

ranged in presses round the sides of the room; in the

center of which stood a sort of rectangular bookcase。



〃Sir Humphry Davy; after investigating their

chemical nature; arrived at the conclusion that they

had not been carbonized by heat; but changed by the

long action of air and moisture; and he visited Naples

in hopes of rendering the resources of chemistry

available towards deciphering these long…lost literary

treasures。 His expectations; however; were not fully

crowned with success; although the partial efficacy of

his methods was established; and he relinquished the

pursuit at the end of six months; partly from disappointment;

partly from a belief that vexatious obstacles

were thrown in his way by the jealousy of the

persons to whom the task of unrolling had been intrusted。

About five hundred volumes have been well

and neatly unrolled。 It is rather remarkable that; as

far as can be learned; no manuscript of any known

standard work has been found; nor; indeed; any production

of any of the great luminaries of the ancient

world。 The most celebrated person of whom any

work has been found is Epicurus; whose treatise; De

Natura; has been successfully unrolled。 This and a

few other treatises have been published。 The library

in which this was found appears to have been rich in

treatises on the Epicurean philosophy。 The only

Latin work which it contained was a poem; attributed

to Rabirius; on the war of Caesar and Antony。〃



Beginning with A。 D。 200; the employment of inks

became more and more constant and popular。 Rediscoveries

of ancient formulas belonging to a more

remote antiquity multiplied in number。 Silver ink

was again quite common in most countries。 Red ink

made of vermilion (a composition of mercury; sulphur

and potash) and cinnabar (native mercuric sulphide)

were employed in the writing of the titles as was blue

ink made of indigo; cobalt or oxide of copper。 Tyrian

purple was used for coloring the parchment or vellum。

The 〃Indian〃 inks made by the Chinese were imported

and used in preference to those of similar

character manufactured at home。 The stylus and

waxed tablets though still used; in a measure gave way

to the reawakened interest in ink and ink writings。



A greater facility in writing; due to the gradual

reduction in size of the uncial (inch) letters was

thereby attained。



There were 〃writers in gold〃 and 〃writers in

silver〃 who travelled from the East into Greece and

who bad found their way before the third century

into the very heart of Rome。 Their business was to

embellish the manuscript writings of those times。 It

was considered en regale for authors to 〃illuminate〃

their MSS。 and those who failed to do so suffered in

popularity。



These authors frequently allude to their use of red;

black and secret inks。



Martial in his first epistle points out the bookseller's

shop opposite the Julian Forum where his works may

be obtained 〃smoothed with pumice stone and decorated

with purple。〃 Seneca mentions books ornamented

〃cum imaginabus。〃 Varro is related by the

younger Pliny to have illustrated his works by pictures

of more than seven hundred illustrious persons。

Martial dwells on the edition of Virgil; with his

portrait as a frontispiece。



The earliest recorded instance of the richer adornments

of golden lettering on purple or rose…stained

vellum is given by Julius Capitolinus in his life of the

Emperor Maximinus the younger。 He therein mentions

that the mother of the emperor presented to him

on his return to his tutor (early in the third century);

a copy of the works of Homer; written in gold upon

purple vellum。



The fugitive character; as before stated; of a great

many of the colored inks; and indeed most of the

black ones which were undoubtedly employed; is the

principal reason

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